Free PDF 6 Suites: Schirmer Library of Classics Volume 1565 Cello Solo
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6 Suites: Schirmer Library of Classics Volume 1565 Cello Solo
Free PDF 6 Suites: Schirmer Library of Classics Volume 1565 Cello Solo
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Product details
Sheet music: 56 pages
Publisher: G. Schirmer, Inc. (November 1, 1986)
Language: English
ISBN-10: 0793554489
ISBN-13: 978-0793554485
Product Dimensions:
9 x 0.1 x 12 inches
Shipping Weight: 7 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#27,964 in Books (See Top 100 in Books)
Easy to read, and overall great edition. HOWEVER, there is an error in the gigue movement of the first suite, with some ties that shouldn't be there. I was playing it for a college audition and one of the professors asked to see my copy, and said "yeah, that's just not correct." I would recommend listening to a recording and playing what you hear, at least for that movement.
Excellent. I use different bowing but all the notes are there.
Adds several questionable gestural, dynamic, and phrasing suggestions that are not consistent with the Urtext editions, but the large print is nice and for the most part, this is a faithful edition, useful for scholarly study more than one for performing purposes.
This is adapted for viola. Louis Svecenski is not the edition my teacher had me get so this is not the edition I use. I have a fine student who prefers this one.
This is my favorite edition of the Bach suites. The notation is clear and not too crowded (allowing enough space for your own pencil markings, bowings, fingerings etc). I also like the Schirmer yellow on the jacket. It's easy to pick out in a pile of music.
These solo suites so dominate the cello literature that I think many don't realize that there are other suites and sonatas for unaccompanied cello. They are awesome works, with subtleties which will tax the greatest virtuosi, yet they can be played for fun by students. This 1939 edition has some bowing and fingering directions, but no narrative about what the music means. The typography is clear, which is not easy in such complex music, but there are a couple of nasty inkblots.
I found one incorrect note in the first suite. The articulation and dynamics, provided by the editor (not Bach) is a bit odd in several places. Regardless, it's a joy to play and excellent practice material. The printing is large and easy to read.
Not the Original, but close.
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