PDF Download Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human, by Grant Morrison
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Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human, by Grant Morrison
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Amazon.com Review
Amazon Best Books of the Month, July 2011: According to Supergods, Superman comics say less about Superman than they do about Clark Kent. Superman was conceived as a symbol of strength and individualism for the Depression-era middle class--perhaps a more compelling portrait of the era than much literature of the time. But this is just one of the many superhero mythologies author Grant Morrison unpacks to give colorful historical and cultural context. Morrison, a prolific comics storyteller with a career spanning 20 years writing for both Marvel and DC Comics, may be the world's most qualified superhero scholar. (Morrison's reinvention of the Man of Steel, the All Star Superman series, is arguably the best comic of the past decade.) But Supergods isn't a book that appeals strictly to fanboys. Like his comics, Morrison's prose is swift yet powerful, and it's the broader strokes of the Supergods narrative that resonate most. The book succeeds at being a great history of comic books over the past century, but it's an even more convincing exploration of humankind as a whole. --Kevin Nguyen
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Praise for SUPERGODS"Grant Morrison is the antimatter to the often mundane world of comics - SUPERGODS is the finely tuned death-ray. Far beyond deconstruction, it exposes, challenges, invigorates and detonates everything we know about this modern mythology. SUPERGODS gives meaning to the fictional worlds we create and live within and helps us make sense of the madness within ourselves through the four-color world of the super hero." --Gerard Way, lead singer of My Chemical Romance and author of The Umbrella Academy."Excellent ... engrossing ... Morrison is a skilled word magician, seeking creativity in a cosmological dimension." --Publishers Weekly"Morrison is ideally suited to the task of chronicling the glorious rise, fall, rise, fall and rise again of comic-book superheroes. As thorough an account of the superhero phenomenon as readers are likely to find, filled with unexpected insights and savvy pop-psych analysis. Those who dare enter will find the prose equivalent of a Morrison superhero tale: part perplexing, part weird, fully engrossing." --Kirkus#1 in Wired's "10 Books That Will Fry Your Mind This Summer" "Grant Morrison has a hell of a tale to tell: The graphic novelist who co-created Batman's twisted game-changer Arkham Asylum: A Serious House on Serious Earth tripped on psilocybin mushrooms, fought movie execs to keep the Joker in high heels and reaped the benefits of going 50 hours without sleep in order to better access his unconscious. Subtitled What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human, this trippy autobiography-cum-critical essay gathers up the deep thoughts and otherworldly hallucinations experienced by the comics writer." --Wired.comNPR's "Summer High Fliers" "Grant Morrison is one of the world's leading experts on comic books, and he draws on his entire body of work in Supergods, charting the history of superheroes from the very beginning. Morrison places the figures we all know -- Superman, Spider-Man, the X-Men -- in a broad cultural context, invoking art history, science and mythology to explain why we are so fascinated by the superhuman." --NPR.org Praise for Grant Morrison “Grant Morrison is one of the great comics writers of all time. I wish I didn’t have to compete with someone as good as him.”—Stan Lee “Grant’s whole body of work inspired me.”—Gerard Way, My Chemical Romance “I suddenly realized that everything that I’m trying to say in my nonfiction work, and in some of my fiction work, had been so beautifully and so imaginatively expressed in the work of Grant Morrison.”—Deepak Chopra
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Product details
Hardcover: 464 pages
Publisher: Spiegel & Grau; First Edition edition (July 19, 2011)
Language: English
ISBN-10: 1400069122
ISBN-13: 978-1400069125
Product Dimensions:
6.4 x 1.3 x 9.5 inches
Shipping Weight: 1.7 pounds
Average Customer Review:
3.9 out of 5 stars
137 customer reviews
Amazon Best Sellers Rank:
#281,136 in Books (See Top 100 in Books)
Grant Morrison is among a small handful of fiction writers who have most inspired and informed the style of non-fiction writing that I do in my column Hero Worship. And of those fiction writers, he and Neil Gaiman are the two comic book writers who forever altered the way I looked at superheroes and comics. The themes that obsessively reappear in almost all of his major works - gods and myths, the occult, epic conspiracies and a Philip K. Dickian view of reality - were the very same obsessions of my young, impressionable mind when I first discovered him.Needless to say, I was excited to be able to finally read his non-fiction opus, Supergods: What Masked Vigilantes, Miraculous Mutants and a Sun God from Smallville Can Teach Us About Being Human.While, on the whole, it's a good read it wasn't quite what I had hoped or expected it would be. The subtitle, I feel, is misleading. I have my own views on what "masked vigilantes and miraculous mutants can teach us about being human" and so was eager to read Morrison's take on it, since he did, after all, help me to shape some of those views (albeit indirectly through his fiction).But Supergods is really just part cultural history of superhero comics and part personal memoir. It isn't until the end, and only very briefly, that Morrison discusses what I had hoped the majority of the book would be about: an examination of superheroes as mythical archetypes that illuminate profound spiritual lessons on life and living.Having said that, it's an impressively incisive cultural history, albeit focusing more on how superhero comics and their creators, throughout history, have reflected the shifting social values, morals and concerns of their time than on a straightforward historiography of the business and industry of comic publishing. Though for those who prefer their history to be written in a clear, lucid style (and I'm one of them), Morrison's prose often gets a bit too baroque in a way that works better when he crosses over into the realm of memoir, especially when recounting his experiences with altered states of consciousness.Another problem is the lack of images from the works that Morrison analyzes. He goes into such minute detail that it's truly hard to follow along unless you've got images from the comic he's referring to in front of you, especially if you've never read those comics. I had to constantly look up old and now-obscure titles on Google for images as I read which became tiresome.Nevertheless, for fans of comic culture in general and Morrison's penchant for psychedelic mysticism in particular, Supergods is a fitting addition to your book collection.
Grant Morrison's saga of the superhero from its birth to its many tomorrows is a welcome breeze wafting from an endless summer somewhere in the future where we will all become superbeings. Welcome to me, at least, who, like the author, grew up absolutely enthralled by comic books.And like Morrison, I'm tired and bored with the dystopian, snarling pretenders in tights who masquerade as superheroes these days. I'm no Pollyanna or prude afraid of the dark - I've spent a fair share of my career writing about dark worlds present and future - but there's still that kid in me who grew up believing in Stan Lee's admonition that "with great power comes great responsibility." Too many superheroes have mistaken their shirking of responsibility for a punk rebellion against authority.The contrasts between the Green Lantern and Captain America movies highlight this problem. Hal Jordan allows himself to be convinced - all too easily - that he doesn't deserve the ring he's been given by a dying hero. His acceptance of his role finally comes rather perfunctorily, as a necessity for the final act, rather than from any real desire to live up to his destiny. Not so with Steve Rogers, who is untiring in his efforts to shoulder more responsibility than his weak frame can handle.Morrison thinks superheroes are archetypes of aspiration, untiring and, in the end, always undefeated. His book chronicles the pop culture history of this archetype in many of its manifestations, not just in comics but also in similar trends in music and fashion. I've read many of the comics he calls upon as exemplars, and I loved reading another author's heartfelt and deeply illuminating appreciation of these works.Heartfelt is the key word for this book. Grant Morrison is laying it bare, confessing to his love of the good guys, and using biographical moments to back it up. Even if I were inclined to disagree with his analysis - and I am surprisingly on the same page for the majority of it - I could never argue with his passion and love for the writers and artists whose work consumed by childhood.I do, however, have a geek critique. Even though Morrison admits that he couldn't give a shout out to all his favorite comics stories, I still would have liked to have seen more attention given to Steve Englehart for his Secret Empire saga in Captain America and his Detective Comics collaboration with Marshall Rogers, both of which I feel are keystones worth mentioning in the evolution of the superhero in the `70s and early `80s. But I can't complain too much - he does give proper attention to Starlin's Warlock, after all.This is probably the best book to give to someone who hasn't read comics in a long time and might be looking to rekindle their interest in the men and women of tomorrow. It's also a great introduction for Jungians and archetypal psychologists who have yet to turn their analytical gazes to the primordial pop culture pool in which our culture swims.
An excellent, thorough review of the history of comic-book heroes, of Grant Morrison's life and career, and the deeper meanings of our love of superheros. Coming from one of the most creative and innovative minds in comics, it is no real surprise that this book delivers on multiple levels.Morrison intertwines the history of comics with their impact on American culture, the underlying needs fulfilled by superheros, and the role of comics in his own life. He gives detailed descriptions of comics that are typical of different eras in comic book history or were otherwise noteworthy or "ground-breaking." He does not spare his unique perspective and personal opinions of the comics he describes. From the introduction of Superman and Batman to Alan Moore's Watchmen and Frank Miller's Dark Knight to more modern works, Morrison describes, analyzes, and opines about the impact, quality, and meaning of important comic developments. Even a comic buff has much to learn about comics from Morrison's book.
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